A week ago I speculated here about what listeners might do with BBC radio content if allowed to play with it. I came up with something quite linear – a kind of listener-curated Pick of the Week. Here’s something a bit more playful (or dumb, depending). It’s the fifteen clips from Sunday’s Pick of the Week, selected by Graham Seed, all at once.

Click play to hear the cacophony. I think it adds up to quite a pleasing, BBC radio-shaped lump of sound – and another way of expressing the variety and unpredictability that is BBC radio. Wouldn’t it be fun if we could provide tools for listeners to play in this way? Respectful apologies to all the programme-makers involved (and to Graham Seed too, of course).

It’s not entirely unproduced – I stacked the fifteen clips as tracks in Garageband, trimmed them all to 30 seconds each and then staggered them to come in at four-second intervals. This means that the maximum you’ll hear at once is eight. There are no fades, apart from the final clip, which seemed to need one.

You’ll hear: Supermarket Symphony (Radio 4), Composer of the Week, Gian Carlo Menotti (Radio 3), Barbara Windsor’s Funny Girls, Hylda Baker (Radio 2), George Bernard Shaw, Widowers’ Houses (Radio 3), Bird Fancyers Delight (Radio 4), Afternoon Play, Gilda and her Daughters in Looking for Goldie (Radio 4), Twenty Minutes, Romance (Radio 3), Down and Out in the the City of Angels (Radio 4), The Robeson Files (Radio 2), Johnnie Walker meets Neil Diamond: New York City Born and Raised (Radio 2), Tim Key’s Suspended Sentence (Radio 4), A Hundred Years of Mervyn Peake (Radio 4), Afternoon Play, Whenever I Get Blown Up I Think of You (Radio 4), Desert Island Discs, John Graham (Radio 4) and I’m Sorry I Haven’t a Clue (Radio 4).