Tag: United Kingdom

From the other end of the modern

Italo Svevo and Adam Tooze (and Liz Truss and Kwasi Kwarteng)

The facade of a residential block in Trieste, Italy (probably 19th Century), some shutters open, some closed. A black and white photograph by Russell Davies
Trieste, by Russell Davies

So, this post originally started with a bit about how I’d read about Svevo in Franco Moretti’s The Bourgeois but I just looked in the book and there’s nothing about Svevo at all, so I literally imagined it. in his book about the real hero of modern literature, historian Franco Moretti put me on to Italo Svevo’s 1922 novel Zeno’s Conscience. So now I know it’s Anyway, Zeno’s Conscience remains a brilliant and prophetic book, whoever told me about it. In the book, with our hero, businessman Zeno Cosini, we walk the streets of Trieste, a port city at the edge of a collapsing empire and at the edge of the unfortunate 20th Century. He’s the most annoying and loveable (and most unreliable) unreliable narrator you’ll ever meet.

This narrator is a very up-to-date Austro-Hungarian. He’s an enthusiast for the latest Viennese fad psychoanalysis—we learn that he’s writing all this down for his analyst in Vienna (Doctor S, probably Sigmund Freud, who actually treated Svevo’s brother). He’s a hypochondriac who knows all the latest ailments and treatments, a chemist who knows the composition of all the new remedies, apparently in robust health but surrounded by sick people. An egomaniac – but only in the sense that you would be too, if you were writing everything down for your analyst.

And, in the text, Zeno’s right there, on the cusp of the modern, at the beginning of the long 20th Century—all that revolution, industrialisation, despoilation, globalisation—and war after war—just over the horizon.

He’s a modern man, a complicated subject like you or me, a secular bourgeois. He’s superstitious but not religious, a terrible businessman who prospers by accident. In the book he becomes a kind of comic avatar of the emerging scientific capitalism of the late 19th Century. The whole petty theatre of modern business is here: the awkwardness of foreign trade, company law, buying and selling shares (in Rio Tinto, supplier of copper to the hypermodern boom industries of electricity and telegraphy – he’s at the bleeding edge), fiddling the books (and worrying about getting caught fiddling the books), surplus stationery purchased in error, shipping and warehousing, HR dilemmas…

There’s a huge stock market loss (and an unlikely recovery), a catastrophic purchase of 60 metric tons of Copper Sulphate from a company in England, a sequence of terrible deals made from Zeno and his brother-in-law’s comically badly-run office (apparently staffed by the cast of the Carry On films—Carmen is Joan Sims, Luciano Jim Dale and Guido Kenneth Williams—change my mind).

The story ends with an intriguing perspective on the catastrophe of the Great War, from the other end of Europe—from the complicated, multi-party territorial war over Svevo’s beloved Trieste. I won’t spoil the ending but it brings the story to a grand and moving conclusion.

Anyway, I’d just finished Zeno’s story—and I’m all buoyed by his optimism, his readiness to transcend the darkness of war and death, to enter a rational new world of telephone calls, intercontinental travel, electric light and nation states—when I read Adam Tooze’s latest Substack. It’s about the latest explosion of stupidity and venality in British politics and the ripples it’s caused in the world economy in the last ten days. I experienced an unaccountable tingle of connection between the two stories.

Tooze starts with a fairly close-up view of events in Westminster and the City but his essay quickly spirals out through British and world markets and winds up in a very big (and quite bleak) picture indeed:

Does it really make sense to perpetuate a system in which disastrous financial risks are built into the profit-driven provision of basic financial products like pensions and mortgages? Yes the central bank can act as the fire brigade, but why do we such a dangerous situation as normality. Why do the smoke detectors fail again and again? And why is the house not more fire proof? It is time to ask who benefits and who pays the cost for continuing with this dangerously inflammable system.

‘The bond market massacre of September 2022’, Adam Tooze

I feel like every time Tooze sits down to document a new human catastrophe these days he can’t help observing that whatever the latest planet-scale fuck-up is, it’s actually also a symptom of something bigger and more final. His last two books documented the financial crisis (Crashed) and the pandemic (Shutdown). The next one will be about the global collapse triggered by Kwasi and Liz’s sixth-form science experiment in the UK economy. It’ll be called ‘Spavined’ or ‘Wrecked’ or ‘Knackered’ and it’ll have a big picture of the pair of them gurning in hard hats on the cover.

Svevo, who was a pal of James Joyce, documented Europe’s entry into modernity. Tooze is documenting the way out.

Monarchy: to be bothered or not to be bothered?

A night-time aerial view of the convoy of vehicles carrying the body of Queen Elizabeth along the Westway in London
The late Queen entering London via the Westway

Less than half of gen-z in Britain thinks we should keep the monarchy but mainstream politicians can’t get enough of it.

What do lefties and republicans think about the monarchy? Seems obvious, right? Off with their heads! But no, there’s some complexity here and it connects closely with the weird (almost unique on planet earth) constitutional arrangements that persist here in the archipelago.

On the left there are basically two positions on the monarchy. Not on monarchy in general — only one there really — but on Britain’s actually existing monarchy, the Crown-Constitutional Parliamentary state that’s been locked in here since the 17th Century.

In position one, the monarchy is an unequivocally, catastrophically bad thing—a major impediment to meaningful popular sovereignty and an aspect of Britain’s backward machinery of state. Britain’s monarchy, in this view, is a vital contributor to the country’s long-term decline, solidified in the retreat from empire and the disastrous deindustrialisation of the post-war period.

In this perspective, identified with the British ‘New Left’ since the 1950s and developed in great detail in the pages of New Left Review by brilliant writers like Perry Anderson and Tom Nairn, the settlement that secured the monarchy in 1688 locked in the dominance of sclerotic aristocracy, land-owning elite and the compliant institutions that sustain them. The result is a country that, paradoxically, became a nation-state first and industrialised first but failed fully to make the transition from ancien régime to modernity, whose progress from feudalism to capitalism is still incomplete. In the New Left worldview ceremony, deference and acceptance of hierarchy have naturalised and hardened aristocratic dominance and neutralised the popular radicalism that has expanded democracy elsewhere in the capitalist world.

The other left anti-monarchist perspective, embodied these days by lefties belonging to populist or ‘realist’ strands of the tradition, is much less bothered. These anti-monarchists oppose the unelected power of the monarchy (obvs) but would probably be quite happy to leave the Windsors where they are and get on with the class war. In fact, for left-populists, the fervent opposition to the crown and its institutions embodied by that earlier generation of left-wingers is actually damaging to the cause. For them, the critics and theorists who developed the declinist narrative of the New Left—whose animating idea was that Britain is stuck in a deferential mire and can aspire only to a steady loss of status, relevance and prosperity—are a bit FBPE, a bit ‘metropolitan liberal elite’ and not least because opposing the monarchy puts them at odds these days with a clear majority of the British working class.

It’s not just the left who oppose the monarchy, of course. There’s an indignant centrist/liberal republican movement too – in fact they’ve been at it for longer and they’re more organised than the left. In the Crown’s 19th century slump it was largely Whig/Liberal radicals like Charles Dilkes who opposed the monarchy and, in the present day, the Liberal party itself still has a robust republican strand. The young Liz Truss was not alone in her vituperative opposition to the royals. See also Norman Baker’s book And What Do You Do?

The rehabilitation of the monarchy that’s taken place since the end of the 19th Century, described by Tom Nairn in his brilliant and thoroughly New Left book The Enchanted Glass, has, to put it bluntly, worked. The Crown-Parliamentary state won. In the middle ages, monarchs cowered in their palaces, derided publicly. When they ventured into the streets kings and queens were often booed, some were so often away crusading (or hunting, or carousing) they might not be known to their subjects at all.

Labour leadership and conference officials bow during a minute's silence for Queen Elzabeth at the 2022 Liverpool conference
Labour Conference 2022: national anthem at one end and Red Flag at the other

Working people who, until the early 19th Century, were suspicious of or even hostile towards royalty are, especially in the most recent decades of the Queen’s reign, mostly in favour (the numbers might be a bit different among fans of The Crown and the young, of course). Principled opposition to monarchy will just put the left in conflict with the working class and leave lefties in a very familiar position—thrashing about trying to explain why ordinary people don’t agree with them. It all begins to look a bit Remoaner/People’s Vote/Russian money.

So now, a left wing party or movement that put much energy into opposing the monarchy, that set out policies aiming at an elected head of state or even a slightly less anti-democratic settlement—one that, for instance, removed the monarch’s powers of consent to new laws—could only damage its prospects with working people. Leave the monarchs alone, lefties, they’re not worth it.

Over on Goodreads, I reviewed Nairn’s beautifully-written and highly-entertaining page-turner The Enchanted Glass which dates from the period before the annus horribilus but has two excellent forewords by the author bringing the story well into the 21st Century.

I’d go so far as to say that this is a beautiful book. Funny, angry, imaginative – an unforgiving demolition of the fantasies and self-deceptions of Britain’s backward, complacent, destructive tolerance of the invented rituals of modern royalty – the damage done to our democracy, the permanent strangulation of popular sovereignty, the narrowing of our national potential, the bleak prospect of unstoppable decline made inevitable by our unthinking acceptance of the Crown-constitutional status quo.

Published in 1988, there is absolutely nothing dated or irrelevant about this book – in fact one of the most fascinating aspects of the book is the constant, startling correspondences we find between Britain towards the end of the Thatcher revolution and Britain after the Brexit revolt.

The scope of the book is not limited in any way to a critique 0f monarchy or monarchism. My understanding of Britain’s constitutional weirdness (Nairn’s wonderful name for Crown-constitutional Britain is ‘Ukania’) and the powerful parasitic grip of Britain’s social and economic elites has been so enhanced by his excoriating, wide-ranging critique of City, Crown, complacent Parliament, self-interested administrative class, complicit media elite (and so on). I feel I have a new super-power.

Nairn is a brilliant writer, his language sparkles and surprises – you’ll find yourself stopping to look up words you’ve never heard that always turn out to be perfect for the job. It’s an absolute joy – and it took me a long time to read, mainly because I couldn’t help myself from highlighting brilliant passage after brilliant passage on the Kindle (it’s a cause of immense Bezos-directed resentment that I can’t share my highlights with you because I read the book in a non-Amazon format! Sort it out Jeff!).

Nairn, who as of this review, is still with us, developed his powerful argument for the backwardness of Britain’s constitutional arrangements and for the inevitable decline of the state and the polity across his many decades as writer (and editor) at New Left Review. If you have a subscription you can read the entire archive of his writing (and of his pal Perry Anderson – also still with us – another brilliant writer with whom he worked closely) online.

Review of The Enchanted Glass, from Goodreads

I’ve been bingeing on texts about monarchy lately, for obvious reasons. I also recently read David Cannadine’s influential paper ‘The Context, Performance and Meaning of Ritual : The British Monarchy and the ‘Invention of Tradition’ c. 1820–1977’ which is in a terrific book of essays edited by Eric Hobsbawm and Terence Ranger. The essay, published in 1977, explains how the rituals and customs invented or updated in the 19th Century rescued Britain’s Crown from irrelevence or even obliteration in a revolution like those that wiped out the monarchies of Europe one after the other (Hobsbawm’s essay in the same book, a wider-ranging survey of the twilight of monarchy across Europe, is also worth a read).

Another good read in this context is a David Edgerton’s 20th Century history The rise and fall of the British nation, which aims to dismantle the whole declinist New Left narrative. Perry Anderson, owner but not quite sole proprietor of the declinist story, predictably enough dismantled Edgerton’s dismantling in the pages of New Left Review (you might need a subscription to read that one).

Listen to this episode of Bungacast, the podcast from the people who brought you ‘The end of the end of history‘ for a good illustration of the modern, populist left perspective on monarchy—dismissive, derisory but definitely not bothered.