Podcasting—welcome to the symphonic era

This is not about the 90% of podcasts that are still three people at a table talking about something. Nor is it about all those podcasts that are basically a byproduct of radio production. It’s about the new stuff—the bigger, glossier, narrative formats that are going to change audio and storytelling for good. This is… Continue reading Podcasting—welcome to the symphonic era

11 essentials for the modern podcast

This is one of a short series of posts about the evolution of podcasting. The first one’s about the new wave of ambitious, highly-produced storytelling formats – I’m calling it ‘the symphonic era‘ and the second is about the epic platform battle that has just begun. So I thought I’d collect some of the basic… Continue reading 11 essentials for the modern podcast

Ian McMillan’s eight favourite podcasts

Radio 3’s Ian McMillan was on a special edition of the Radio Today podcast all about the station the other day. Turns out he’s a connoisseur of the podcast form. He gave Trevor Dann a list of his favourites: the various Monocle podcasts, especially Tyler Brûlé’s books and magazines podcast The Stack, The Urbanist and… Continue reading Ian McMillan’s eight favourite podcasts

What should really modern music radio sound like?

You hope it’ll be seamlessly social: a nice, natural flow from online to on-air and back again, with social features that are as confidently crafted as the on-air stuff. Not endless shout-outs and retweets, no ‘in the next hour’ or ‘how was your weekend?’ updates. No blather, no cheesy vanity activity from presenters. You probably… Continue reading What should really modern music radio sound like?

Tension and release. My Bloody Valentine and building radio excitement without exclusives

Music radio’s all tension and release. Building anticipation – highs and lows strung together to keep things moving and bring listeners along with you. Mary Anne Hobbs’ breakfast show on 6 Music this morning was built around a classic music radio high – the long-awaited record release. My Bloody Valentine have a new record out… Continue reading Tension and release. My Bloody Valentine and building radio excitement without exclusives

Noisy beds

I love a bed. I should leave it to a radio production expert to explain what I mean by a bed, but since I don’t have one to hand, a ‘bed’ is the radio term for sound (usually music) played under the presenter’s voice during a link. In music radio it stops things going dead,… Continue reading Noisy beds

Total radio – six reasons BBC Radio 3’s ‘Spirit of Schubert’ was awesome

The ‘Spirit of Schubert’ finished a week ago. It was Radio 3’s biggest ‘takeover’ yet – over 200 hours of output devoted exclusively to the work of Franz Schubert. Every one of his ‘performable works’ was played, many in brand new versions, some for the first time ever. It was a remarkable thing – and… Continue reading Total radio – six reasons BBC Radio 3’s ‘Spirit of Schubert’ was awesome

Radio 4’s Pick of the Week – all at once

A week ago I speculated here about what listeners might do with BBC radio content if allowed to play with it. I came up with something quite linear – a kind of listener-curated Pick of the Week. Here’s something a bit more playful (or dumb, depending). It’s the fifteen clips from Sunday’s Pick of the… Continue reading Radio 4’s Pick of the Week – all at once

Allowing listeners to curate BBC radio

It was a quite brilliant weekend for BBC radio – so much good stuff that really stood out. Loads of radio that wasn’t just gripping, interesting, entertaining but was also sonically fascinating – a uniquely radio experience. Sounds that I really wanted to share. Another testament to what’s unique and different about radio (and BBC… Continue reading Allowing listeners to curate BBC radio