Final act for the streamers

Netflix introduced ads and now Amazon Prime too. It’s your fault.

Screenshot of Amazon Prime home page on 4 January 2024. Prominent at the top is Saltburn

It’s a three-act drama

In act one it’s about growth—extravagent, out-of-control, venture-funded growth—you remember that. Piling on millions—hundreds of millions—of users as quickly as possible. And in this act the product improves. It has to. Features are added with no concern for cost—bigger libraries, 4K and HDR video, better sound. Data centres blossom everywhere, fast caches and CDNs eliminate latency. Distribution partners are falling over themselves to sign up, production budgets are lavish—insane, in fact (how about $58M per episode?). This is how you acquire a big audience and a chunky annuity income fast.

In act two—in the classical model—it’s crisis. Cheap money is over, we’re told, capital is withdrawn, invested elsewhere, exit horizons shorten. Services collapse or are quietly closed. Even the biggest corporations—the heroes of previous eras—admit defeat: their shabby content libraries and derivative branding weren’t up to the job. And the sheer profusion of competing services with impenetrable offers and stupid names was bound to produce a shake-out. Carnage.

Act three brings resolution—consolidation. Services are merged, prices increased and catalogues simplified. And, for users, everything gets worse. Say goodbye to 4K and password sharing. And, worse, ads are inserted. For a CFO or an investor the logic of the last one is absolutely unarguable. A huge library of video files, sitting on expensive, top-tier servers all over the world, begins to look like an under-exploited asset—or, worse, a liability. I mean they’re really not paying their way are they, all those MP4s? Just sat there, earning a bit of subscription income.

In this phase, that precious movie library is redefined as a vast store of unsold advertising inventory. And, as the economics gets nastier, not inserting ads—not sweating your asset properly—begins to look like a mug’s game. Especially when everyone else is doing it. Investors will only have one question—when are we introducing ads? In this world, the audience is also redefined.

And you, the happy punter, originally thought to be literally the ideal customer because you were ready to give Netflix or Amazon or Hulu money every month whether you used the service or not (basically a mug) begin to look a bit ‘low-yield’. Not really working hard enough for a decent return on investment. You are now the problem.


In praise of friction

Install Privacy Badger. It’s a plug-in from the EFF that blocks the nasty stuff that web site owners silently insert into your browser – tracking code, cookies and code from third-parties. It works in Firefox and Chrome (but only on a computer, not on your mobile). Now enjoy the genuinely freaky experience of wandering the web unrecognised. Not anonymous, just not known. Like a character in a William Gibson novel who’s had the implant ripped out. This is what it’s like not to be tracked (disclaimer: this only works for web sites. Your government is still tracking you).

The immediate effect is more friction. Gone: the convenience of breezing around the web like you’re a VIP. Barriers pop up everywhere. But, you’ll realise, the experience of showing up at one of your regular web sites and seeing that bloody cookies warning again and being asked to log in from scratch again is, seriously, charming. You’re logging in again because the web site you’re visiting, which is your absolute favourite, has no idea who you are. Friction is good.

Likewise, seeing the little Privacy Badger icon light up, telling you that 10, 20, 30 (sometimes 40 or 50) tracking elements on the page have been blocked, is the simplest possible reminder of the sheer density of the thicket of tracking code you’re entangled in now.

And the fact that some pages won’t display at all, or are just broken, because Privacy Badger won’t allow them to load code from another domain, is also – seriously – sort of bracing. As you go through the list of blocked elements looking for the one that’s stopping the page from displaying, you’ll learn more about how third-party code makes the modern web work. Consciousness raised.

Incidentally, it’s going to take you a while to notice, but you’re not seeing the usual chaff of Facebook, Twitter and Google gadgets either. They’re blocked.

Is this a bit paranoid? A bit weird? Yes. But it’s also profoundly sane. Blocking all this stuff, this invasive cruft, this miserable, intrusive web junk is a good thing not because it makes it harder for big media to make a living. It’s a good thing because it switches things around and puts you back in charge. It’s now your decision whether you activate all those trackers again. If you’re feeling big about it – magnanimous – you can switch Privacy Badger off all together for sites you trust. But that’s a decision you made, not a default behaviour (I’m a grown-up and I want great sites to survive. I’ve done this for lots of sites).

Canny web site owners are responding to users who block their tracking code by popping messages saying things like: “we notice you’re running an ad blocker. Would you be a nice person and switch it off?” Some won’t allow you in at all if you’re running an ad blocker. And this is cool. It’s the right way round. It makes your contract with the publisher explicit. Everything’s in the open (and Privacy Badger will still show you a list of tracking code, even for sites you’re not blocking, so you’re in the know). There are also legit ways for publishers to stop Privacy Badger blocking their sites.

Publishers will tell you that friction = death for sites on slim margins and with sharp-elbowed competition. They’ll tell you they couldn’t possibly make the tracking trade-off explicit. And they’ll tell you it’s all already in their terms of use. And my answer to that, of course, is going to be something like: “there’s your problem.”

Bunnies

The Sony Bravia Plasticine Bunnies
Well I was just going into a sort of reverie about the lovely new Sony ad and thinking things like “I wonder if that’s what big brand advertising is for these days: making us smile once in a while” and stuff like that. I mean I really would be happy to watch ads like the Play-Doh bunnies (which are actually made of Plasticine) indefinitely and I am so much better disposed towards Sony (and to Honda and Orange and all the other dreamy elegiac reverie merchants out there) when they do nice things like this. Anyway, then someone told me that some illustrators are claiming the colourful urban bunnies idea was theirs and now I’m feeling much sadder. What a disappointment.

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An ad idea

Mark Cuban – who should get over himself, by the way – has had a brilliant idea: live TV ads. The more I think about it the more I like it. Wow. Live TV ads. Yeah.

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Joe Strummer

I’m certain we’ll see better obituaries for Joe Strummer from some of the great writers of that period (many of whom are presumably now drowning their sorrows) but, in the meantime, here’s one from the NME whose crass content management system just can’t help offering ‘Joe Strummer ringtones’ under the headline.