Said on the war

I supported this war. I did it in a queasy, compromising way ? like all the pro-war lefties I know. I have a phrase: “…conditional support”. I don’t feel any more comfortable now than I did before the invasion began but my support holds, although I’m keeping open the possibility that I’ve made an enormous mistake. It’ll probably be a brilliant article like this one, by Edward Said, a man I admire hugely, that convinces me I have:

“This is the most reckless war in modern times. It is all about imperial arrogance unschooled in worldliness, unfettered either by competence or experience, undeterred by history or human complexity, unrepentant in its violence and the cruelty of its technology. What winning, or for that matter losing, such a war will ultimately entail is unthinkable. But pity the Iraqi civilians who must still suffer a great deal more before they are finally ‘liberated’.”

Pilger vs. Lloyd in The New Statesman

Absolutely compelling war writing in this week’s New Statesman. John Pilger’s article is bitter, Messianic, despairing stuff. For him, the actual conduct of the war confirms everything he said and thought in advance: “…a glimpse of fascism”. John Lloyd – one time editor of the magazine – is a pro-war Blairite. His angry article is the last he’ll write for the anti-war Statesman.<(You can now buy a 24 hour pass to read New Statesman articles online for a quid. Very clever idea and a pioneering effort for a small, impoverished political zine. Admirable)

A quiet city

Ticket for the 19 March 2003 performance of Tosca at the English National Opera in London

2023 UPDATE: I’d forgotten that the invasion of Iraq, which, when it began, had been so well-telegraphed, filled us all with such dread. I mean we all knew the exact day and time it would happen, weeks in advance. And London – other cities too – was in a state of alert (maybe not so weird, we were all still basically hysterical about 9/11). The bleak irony of the fact that we Londoners were all freaking out about the risk to our own lives as the invasion that produced almost two decades of chaos and suffering in Iraq was about to begin is, well, bleak. Anyway, what did I do that night? The night the coalition forces were gathering at the Iraqi border and getting ready to deliver what we would learn was called ‘shock and awe’ on the people of that other city? I went to the fucking opera. Original post follows:

Yesterday was my 40th birthday. Juliet and I went to the Coliseum to sob through the ENO‘s Tosca (a City in turmoil, gripped by fear – torture, love, war and betrayal). We stayed at a hotel practically next door in St Martin’s Lane. The hotel was half empty and there were plenty of empty seats at the Opera (Americans staying at home, apparently).

Our cab driver this morning made a cheeky u-turn by Trafalgar Square and jumpy, armed police practically arrested him (British police don’t usually carry guns). The streets of the West End are Sunday Morning quiet (and it’s not just the congestion charging).

No panic, no bulk buying, no drama at all really – just the barely tangible signs of a City’s building anxiety. It’s this kind of tiny shift in mood that slows an economy, trips up a recovery. Watching the rolling news in our hotel room, the empty streets of Baghdad echo and amplify London’s barely noticable slow-down.

(here’s an excellent Ten things you never knew about Tosca from the University of Chicago Press, by the way).